Sound @ The Muse
The Muse Gallery
269 Portobello Road
London W11 1LR

Home
Past Events
Directions
The Muse Gallery
Facebook
Kailas Elmer
Martin A. Smith
Contact


Past Events
 

A record of past performances at Sound @ The Muse
 


Friday June 4th 2010
 


ROBIN STOREY
Robin Storey was born in 1955 in Cumbria, England. While studying fine arts at Sunderland University, he began pursuing a long-held interest in sound manipulation by taking classes in electronic and experimental composition,additionally joining with friends to perform the works of Karlheinz Stockhausen (a key influence, as were the Krautrock bands of the early 1970s).

In 1979 Storey formed the pioneering industrial group :zoviet*france:, remaining a member until 1992.
The same year Storey issued the first Rapoon album, Dream Circle, its entrancing fusion of Indian ragas, African rhythms and experimental textures anticipating the evocative soundscapes of the many releases to follow.

Also a noted visual artist and animator, Storey's work has been exhibited throughout the world and is in the collections of many major galleries.

Storey has collaborated widely and has produced albums with artists including Joachim Roedelius (Cluster, Harmonia) Nigel Ayers (Nocturnal Emissions) Randy Grief and Russian Folk singer Tatyana Stepchenko aka.Toloka.

He has also collaborated in live work with numerous other musicians including Damo Suzuki (Can). As well as producing his own abstract animated films he has also produced work for soundtracks for Independent films including Randy Grief's award winning film “the Three Trials” and award winning film by NY independent artist Nadine Shamounki with her film “Effaced”.

Storey has also produced two best-selling sound loop libraries for Sony Media and has had his work used for TV advertising.
http://tiny.cc/1dGPX

 


TIMOTHY C HOLEHOUSE

Powerelectronics

Well, I was born in Dorchester on the 9th November 1976, I was premature in birth... we moved to Portsmouth when I was one and a half. My Dad was a Navy Officer my Mum was in the Wrens. I grew up with a love of the sea and I guess the sea front in Portsmouth holds a huge amount of nostalgia. I moved to Exeter for five years and have spent the last six years or so in London. I've been in loads of bands over the years. From the age of 15 with Electric Dissarria to Among The Missing.

Since then I have played hundreds of shows and pretty much constantly toured not only the UK but toured in Hong Kong, Japan, Australia, USA, Iceland, Austria, switzerland, Germany and France. Touring with some amazing artist, whom I respect and admire including Oldseed (Canada/Germany), Octoberman (Canada), USAISAMONSTER (USA), Veee Dee (Japan) and My summer as a salvation solider, Pog (UK) and many more besides from the UK.

I have also released several split EPs, a 7" and have not ne but 3 upcoming albums as well as a tape cassette series of releases. I have a new record "from the dawn chorus..." due out early 2009.
My music varies, I write what I feel like with the skills and instruments I have available. In a rather schizophrenic move I split myself up with more more straight up songs and acoustic material going still under the guise Tim Holehouse and my more leftfield material going under the Timothy C Holehouse.
www.myspace.com/timothycholehouse


 

MICHAEL SANTOS
Michael Santos makes ambient music with a guitar and a laptop. His latest album, Memory Maker, was released in April on Home Normal, following albums on Baskaru, U-Cover and Benbecula over the past few years. He has also appeared on compilations curated by Audiobulb, Amp Bit If Go and Miso. His sound has been described as "blustery drones and tactile crackles" (Boomkat) and "like being drunk in a beehive" (The Wire).
www.myspace.com/listentomichaelsantos

 

 


Friday May 7th 2010
 


SIGNALS
Signals was formed by Chris Gowers (Karina ESP, Evelyn Records) and Phil Julian (Cheapmachines, Authorised Version) during summer 2004, initially to work on collaborative performance for the 2004 London Headphone Festival.
During November 2005, Mark Beazley of Rothko joined Signals to play live as part of the on-going Evelyn Records evenings in London, cementing the core line-up.
The trio’s live performance’s consist of 15 to 20 minute drone and melody explorations, utilizing bowed and effected guitar, live laptop manipulations and sampling, bowed ceremonial bowls and effected bass guitar.
www.tracerecordings.com


 

IRIS GARRELFS
Iris Garrelfs is a composer/performer intrigued by change, fascinated with voices and definitely enamoured by technology. She often uses her voice as raw material, which she transmuted into machine noises, choral works or pulverised “into granules of electroacoustic babble and glitch, generating animated dialogues between innate human expressiveness and the overt artifice of digital processing” as the Wire Magzine put it.

Described as the Diamanda Galas of Glitch, Iris’ training into creating through voice began very early on. Her parents sang in the village choir, and would often practice at home with Iris making up new melodies, 2nd and 3rd voices to whatever was being sung. She got into the attractions of technology as a teenager, stumbling across her dad’s pulp si-fi magazines. Iris is still waiting for an implant that will siphon off her sonic nerve impulses, fragments of melody, rhythm and correlation floating around in her body and brain. A vital part of her work, be it using voice or other sound material, is improvisation and the use of random elements, the ephemeral fragility and risk implied in giving up control to me moment, a sonic singularity.

Iris performs solo as well as in collaboration with other artists, for example Robert Lippok (To Rococo Rot), Kaffe Matthews, Scanner, Si-cut.db and others. She also performs with the improvising group Symbiosis Orchestra. Recording collaborations include si-cut.db and Freeform - the latter has been re-released as part of the Bernt Friedman compiled and remixed compilation "Condensed" on Nonplace
The recent album Specified Encounters, released on the French label Bip-Hop, has been moulded from dissected voice sounds.
www.irisgarrelfs.com


 

ISNAJ DUI
Standing somewhere between modern classical and electronica, Isnaj Dui (real name Katie English) conveys a minimal yet capturing sound using electronically manipulated flutes and homemade instruments. With three solo releases on her own FBox Records as well as Amacrine on Smallfish (2007) and Unstable Equilibrium on Home Normal (2009), English has gained a solid reputation as both a live performer and recording artist. She has appeared at venues such as the National Portrait Gallery and Union Chapel in London and has been played on Radio 3's Late Junction and Arctic Circle Radio.

As a classically trained flautist, Katie uses concert and bass flutes alongside various home made instruments, with live manipulation using an effects and looping device. Through studies in electroacoustic music, alternative tunings and Javanese Gamelan as well as her classical work, Katie has fused together many styles to create a unique sound, infusing tranquil melodies with a dark edge. Keith Moline of Wire writes of 2007s 'Patterns In Rocks' '...English manages to take the [flute] into darker realms while maintaining a lovely, sleepy languor.

As well as her solo work Isnaj Dui performs live and on recordings with various artists including Konntinent and Orla Wren.

Reviews...

Boomkat (an album of the week) 'Absolutely gorgeous music and a big recommendation for followers of this excellent label and good music everywhere.'

Smallfish (recommended) 'Truly a delight to listen to and something that is both familiar and strangely exotic sounding. You’re unlikely to hear another album quite like this in the near future and for that we must be thankful that Isnaj Dui is out there doing her own thing.'

Textura November 2009 '...an oft-beautiful exercise in sensuous tone-painting that, in seemingly effortless manner, not only distinguishes itself from the competition but establishes Isnaj Dui as a distinctive artistic voice.'
www.myspace.com/isnajdui

 


Friday April 2nd 2010
 


A WAKE A WEEK
...do we never tire of these endless reruns of our grief? With the debut release from his new project, Dave Dando-Moore (Detritus) offers us an intensely composed symphony of unending sorrow. If Detritus is the debris of emotion, A Wake A Week is the tar-black residue still clinging like a parasite, clawing away at old wounds.
www.awakeaweek.co.uk

 


MYSTERY LIGHTS (Clive Bell & David Ross)
Shakuhachi & electronics woven together – Zen meets the Moog.
Clive Bell
is Britain’s leading player of the Japanese shakuhachi flute, and a founder member of Jah Wobble’s Deep Space project.
David Ross:
electronic improviser/composer and percussionist (Grutronic, Kenny Process Team, Twinkle3), now perfoming with his ever-evolving Drosscillator.
Their recordings together include Mystery Lights (on the Metier label), and Let’s Make A Solar System (on ini.itu, with Richard Scott).
Clive Bell  www.clivebell.co.uk/news
Metier  www.divine-art.com
ini.itu  www.iniitu.net

 


SEASONS (PRE-DIN)
You might not be familiar with the work of Seasons (pre-din), but the shadowy northerner has been honing his craft for some time now, covertly issuing a slew of stunning albums while the world ticked on. He cut his teeth performing and collaborating with Richard Skelton and Xela, but over the last couple of years has busied himself prepping a range of hand-made releases on his own label. Often gone in a matter of hours, these lovingly crafted curios caught the attention of astute listeners worldwide.
rtjm.wordpress.com
www.myspace.com/seasonspredin

 


Visuals by Alex May
www.quadratura.info

 


Thursday December 1st
 


MARCUS LEADLEY & MICHAEL KOSMIDES

A performance using hardware stage and studio effect processors to manipulate loops generated in real time. Key sources are guitar, theremins, vintage synths and silence. The work is entirely improvised and each performance quite unique: visceral and chaotic, often beautiful and at times sonically invasive - yet never too long or too loud...
www.marcusleadley.com

 
Photos by Eva Bensasson

TIMOTHÉE HORODYSKI
Timothée Horodyski is a French woman composer. She has studied classic, jazz and contemporary music. As she liked to sculpt sounds, she has moved towards electro-acoustic music she has studied at the University Paris 8 with Horacio Vaggione and at Ircam. She has a PhD in Music: the subject of her dissertation is the analysis of Varese’s work. She is Lecturer at University Paris 8

THE LANGHAM RESEARCH CENTRE
With the clock ticking on quarter-inch tape, the Langham Research Centre formed in August 2003, with the intention of keeping alive the processes and spirit of Musique Concrète, or tape music: sounds from the real world recorded and transformed on magnetic tape. (It was invented by Pierre Schaeffer as a new music for a brave new world in the post-war Paris of the late 1940s). Egg harps, broken hinges, hungry dogs, executive toys, loose change and chicken carcasses have all featured in the LRC's work, aided by three aged reel-to-reel quarter-inch tape decks.

 


Thursday October 6th
 


JANEK SCHAEFER
Using his custom built 'Twin' turntable to manipulate especially cut vinyl, Janek's improvised concerts are an evocatively woven soundscape combining abstract electro-acoustic source material with long forgotten vinyl alterations. An evolving dense stream of close focus sound textures, pulses and frequencies which conjure images of an architectonic landscape, traversing though Ballard's 'Drowned World'.
www.audiOh.com

SonVer
SonVer tread a post-rock path of layers, loops and atmospherica, fusing electric cello, guitar and disembodied samples with abstract visuals. This is music which ploughs its own furrow, zigging between genres and zagging through pigeon holes; From opressive to reflective, this is perfect soundtrack material.
www.sonver.moonfruit.com

TIM BURNESS
An established guitarist and artist who works in a wide variety of genres, Tim Burness will be performing atmospheric soundscapes on electric guitar.Guitarists such as Robert Fripp and Steve Hillage are possible reference points for the range of sounds covered.
www.timburness.com

 


Thursday August 4th
 


SUSAN HAWKINS and OLIVIA PISANI
'subtle tears'
Susan and Olivia are diehard pianists with a deep seeded love for the organic sound of the piano. Armed with some attractive laptops they meld subtle electronic sounds with the luscious beauty that is the wooden keys.
Visuals: Amanda Kyler

THE BURNELL-HUNT DUO
Paul Burnell and Karen Hunt will create electro-acoustic landscapes inspired by the mighty oboe, delightful toy instruments and unexpected percussion. Paul is a London-based composer, and together with Karen make up one half of the percussion quartet Brake Drum Assembly.
www.musicalsquares.com

"khmfn"
"Achtung! Future!" is computer music for a laptop performance and video projection. The music may be described as a futuristic kind of "musique concrète", generated from contemporary factory noises, synthesized robot signals and intensely edited historical machine sounds as well as everyday traffic sounds. In its full-length version it comprises a series of sixteen short pieces, none of which being longer than four minutes. The sonic part of "Achtung! Future!" is performed by Frank Niehusmann live on a laptop computer. The video part is compiled and performed by Karl-Heinz Mauermann and comprises five alternating image elements: (1) a live recording showing Frank‘s fingers playing the computer keyboard; (2) a view of the current audience that may be read as representing tomorrow‘s audience, (3) transitory movements through familiar utopian cityscapes, live on stage, (4) close-ups on eyes gazing into the future. The most important image element, however, shows nothing. The picture is black. All pieces of "Achtung! Future!" have titles pointing out single topics, situations or places pertaining to futurity. In between the individual pieces Frank Niehusmann will explain the future.
Karl-Heinz Mauermann www.semantic-error.de
Frank Niehusmann www.niehusmann.org

  

 


Thursday June 2nd
 


DOUGLASS C. BIELMEIER
Slowly Sinking Slower (fall 2003 - spring 2004) ca.10 mins
Unlike photographs and old home movies, which can provide an objective view of the past, our memory by nature is subjective. We often remember only our happiest moments and discard the rest. This short film deals with how memories often obscure the perception of ones self, and that which is external.

MR SOUTH
A sound and visual artist based in London, Mr South is performing using recorded organic and synthesizered sound bites he has collected from around the world.
The work airs on the side of chill but accessing action, just like a lazy afternoon in the city.
Collaborating v.j. performance by Mark Easton
Visuals by Mr South and Pixinc.

STONE IDOLS
Stone Idols is the creative work of Rob Jenkins.
The music is electronic, sometimes ambient, based on the use of synthesizers, guitars and a wide range of other instruments and selected sound sources.
Stone Idols does not fit neatly into any one musical genre, nor does it care about genre as clique markets are not good for reaching wider audiences. And with a crumbling music market, times call for more diversity.
The aim is for music to be rewarding, functional and achieving longevity for future listening.
Rob is just about to complete the second Stone Idols album due for release later this year.
The set will feature tracks from the forthcoming CD.
Instrumentation for the performance will consist of a Minimoog and a custom made Modular System.
www.mp3ambient.com/stone-idols

 


Wednesday May 4th
 


BRETT GOWLETT'S HeadSpace
A fusion of music poetry and performance art. Music composed with manipulated found sounds that accompany Brett's soulfully expressive and joyously ridiculous vocals. All framed in a world of psychosis, cartoons, sunsets, plasticine and magic mushrooms.

SMACK MIRANDA
Smack Miranda is a producer, DJ and sound engineer from the north of England, now living in West London. The founding member of three-man electro terrorists Liberation Jumpsuit, when not leading the world's finest Altern-8 tribute band into battle, he can be found engineering and occasionally presenting on Resonance 104.4FM, or performing his unique brand of dyspeptic illbience on his slightly temperamental laptop in venues all over the capital and beyond. His set at the Placard Headphone Festival gained him a favourable review in The Wire, something he hasn't stopped bragging about since. Current projects include work for several theatre companies, collaborations with Japanese poetess Coppe, dominuitive noisenik Spinmaster Plantpot, and a debut Liberation Jumpsuit EP later on this year.
www.liberationjumpsuit.co.uk

WAJID YASEEN
projects :
2nd Gen with releases on Mute, PIAS, Blast First, Quatermass....
Uniform with first album on Ad Noiseam
Dirthole.....an 8 piece garage rock outfit with members from tindersticks, headbutt, the membranes.....
Installation/Dance involvement :
Various pieces with the choreographer Gail Sneddon
Various pieces with Athina Valla
Also worked with CandoCo as an off-schedule experiment at the GDA
Currently working on the new Uniform album with collaborations from Lydia lunch, Barry Adamson, Sleazy from Throbbing Gristle/Coil, Dalek, Justin Broadrick from Jesu/Techno Animal, Germseed and the performance artist Franko B
For the Muse performance, I'll be working with Andreas Constantinou and a group of performers he's putting together....and I also might be bringing in Franko B to do vocals over 1 track....
www.2ndGen.net
www.Dirthole.org

 


Wednesday April 6
 


MAP 165
Sound artists working in areas between music and noise, concentrating on the suspended moments where forms and patterns stop and texture begins.
www.map165.martinasmith.co.uk

 
Photos by imax

slow sound system
the slow sound system explores ambient listening and new electronica. We run irregular listening sessions at The Foundry in east London, co-host the 'Small Pieces' show on Resonance FM and co-curate the Placard London Headphones Festival. We also have material out on the microlabels kabuki kore, grain of sound and 8bitrecs.
'quality avant chillage' BBCi
'quiet, considered music' The Wire
'... a truly chilled East End space' The Guardian




ENRICO GLEREAN (e.g.ø)
is an Italian musician and artist. His artistic research is based on two keywords: "code" and "memory". Using sounds and self-made software, he encodes images and feelings into sounds and vice versa. He has played and took part in exhibitions and festivals around Italy and Europe. He also composes soundtracks for videos, installations and contemporary dance performances. He is the heart of [no.signal].
www.egzero.org

 
Photos by imax
To see more photos by imax please click here